How confetti cannons, Jiffy Pop, and Hula Hoops ended up in Chekhov’s The Three Sisters
How do you turn the city of Moscow into a character for the stage? When acclaimed Russian director Igor Golyak mused that perhaps the Russian capital should be turned into a living, breathing character in Northeastern’s performance of the Anton Chekhov play The Three Sisters, the challenge was one his student-actors had to figure out.
