I met Soboroff in Boston, where a curated selection of his typewriters is being displayed at Northeastern University. The collection routinely tours, and people can type on their favorite luminary’s machine for a fee that goes towards a fund for journalism scholarships. I brought my camera; the images included here were shot, in keeping with the analog theme, on Impossible Project film for old Polaroid Cameras.

Soboroff and I are standing in front of a slightly haggard yet modern-looking model, and it’s conspicuously missing its cover. Soboroff is telling me about a letter exchange he’d had with the previous owner, the aforementioned Unabomber.